KNOWLEDGE ZONE:blog
In our texts we share the experiences we have gained in many branding projects from very different industries. It is worth reading - everyone can find something for themselves in them.
Should you be afraid of branding or how to avoid threats to your company?
Rebranding is rarely just a simple “logo facelift.” For companies, rebranding is an intervention in trust capital, recognition, and, consequently, daily sales. In business practice, the decision to change visual identity usually arises at a specific moment: the brand has stopped generating equity, it’s “lagging behind” the category, a merger requires a unified product portfolio, a new pricing strategy emerges, or the company is expanding into international markets. Rebranding can be a growth stimulus, but it can also become a costly mistake whose consequences can last for years.
The first risk is misdiagnosing the problem, or “rebranding as a band-aid.” If a brand is facing real product, pricing, distribution, or quality challenges, simply changing its visual identity can be treated as a shortcut: a new logo is meant to cover up the old reality. But the market is unforgiving – a refreshed design with an unchanged customer experience is quickly perceived as cosmetic or a distraction. Rebranding works best when it’s a consequence of a real change (strategy, offering, service standards), not a substitute for it.
The second threat is a disconnect between strategy and design. A company may have ambitious goals (e.g., “we want to be premium,” “we’re reaching younger audiences”), but the graphic design doesn’t reflect this: it’s too conservative, derivative, or, conversely, too “trendy” and short-lived. A dissonance arises: the strategy says one thing, the packaging and communication say another. In practice, this means wasted implementation budgets without any sales impact.
The third risk is the loss of brand recognition, goodwill, and brand equity. Brand recognition is built over years and is often based on a few simple associations that create a unique brand style: color, shape, or sound. A radical change can “cut off” a brand from its own history (heritage) and rob the customer of a sense of continuity. From the consumer’s perspective, there is no “rebranding process” – there’s a product on the shelf that suddenly looks unfamiliar. If decisions within a category are quick and habitual, a decline in brand recognition translates directly into sales.
So how profound can a brand’s visual change be?
The most useful rule of thumb is: retain what the market has already “learned” to associate with the brand and change what’s blocking its development. This requires hard analytical work: an audit of current brand codes, recognition studies (including informal ones: shelf tests, A/B creative tests, quick surveys), and a clear identification of which elements are “assets” and which are “inhibitors.” The golden mean isn’t an aesthetic compromise – it’s a business decision about how to minimize the loss of the shopping habit while simultaneously building a new reason for attention.
The fourth threat is misalignment with the target audience. Companies often design to suit their own tastes, internal notions of “modernity,” or management preferences. Aesthetics, however, is a language: a brand for price-conscious families speaks differently, a brand for the premium segment speaks differently, and a brand for young adults speaks differently. The misalignment can be subtle – it’s not just about “pretty/ugly,” but also about codes: readability, information hierarchy, typographic tone, and the degree of “technology” or “craftsmanship.” The result? The brand begins to look like something it’s not, which reduces credibility.
Another risk is a lack of consistency across channels. Today, brand identity exists in multiple environments: e-commerce, social media, apps, B2B materials, packaging, and point-of-sale signage. If a rebrand is designed for a single medium (e.g., a website) and then “forced” onto packaging or retail, compromises emerge that disrupt the system. Consistency is crucial because consumers interact with a brand in fragments – they piece it together in their heads from fragments of experiences.
A significant threat is the execution aspect: hidden costs and operational chaos. Rebranding is not just about design but also implementation: replacing packaging, matrices, POS materials, fleets, apparel, offer templates, presentations, email signatures, and digital assets. If a company lacks a resource map and a replacement schedule, the project becomes bloated over time, creating a “new-old” cycle, and diminishing professionalism. Worse still, the implementation cost often exceeds the project itself – a fact that can surprise even experienced organizations. In our past, we developed a concept for changing the brand’s logo and its signals for the management board of a major IT brand. Despite positive feedback from test groups, the change was not implemented because the estimated cost of the changes globally exceeded PLN 50 million.
A common mistake in implementation is to disassociate ourselves from the past too quickly. Heritage brands – even in the mass segment – have built-in emotions: memories, rituals, a sense of continuity. A radical shift (e.g., a complete change of color, logo, and tone of communication all at once) can be perceived as a “betrayal” of one’s identity. The point isn’t to preserve the past, but to skillfully “translate” it into the present. In practice, a phased approach works: first, we organize the system, then we update key elements more boldly, and only then do we communicate a broader change – so that the market has time to learn the new codes.
Communicating the change itself is also crucial. Some companies are afraid to talk about rebranding, hoping that “the market will notice.” Others, on the contrary, announce it as a revolution, even though for the customer it’s a tool, not an event. Good communication is pragmatic: it explains the “why” (what is actually improving), demonstrates continuity of value, and simplifies the transition. If the change is significant, it’s worth utilizing a transition period (e.g., “new packaging – same product”) to avoid losing recognition.
Finally, and most importantly, companies fear rebranding because it affects what’s invisible in Excel spreadsheets – perception. Therefore, a mature branding process begins not with sketches, but with a diagnosis (strategic process): what exactly needs to change in the customer’s mind and what element of identification will facilitate this change.
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